Episode 38
The Big Ripoff
August 26th, 2018
1 hr 23 mins 42 secs
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About this Episode
Nathan and Eppy discuss S1E7 The Big Ripoff. Jim goes on a European jaunt to track down the truth about a widow who received a big insurance payout, but his client doesn't buy his conclusion that the husband is still alive. Trying to figure out a way to get paid for his work, Jim goes to the insurance company, leading him to yet another town in California to prove that Steve Nelson is still alive. We felt a very strong "back to basics" vibe with this episode, which features a fantastically tight script by series creator Roy Huggins, good humor, Jim pulling quick-thinking cons, and a fun mystery that keeps the energy moving with each reveal of the NEXT thing that's going on.
In our second half, we talk about our a new approach to the show, where we don't get so into the nitty gritty of each episode in favor of talking about how the overall story is structured. We break down this episode and how it transitions from one "act" to another, how to use plot holes as part of storytelling, and the ways in which the writing in this one always is serving more than one purpose, even the stuff that seemed like a throwaway gag when you first view it.
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Thanks to:
- zencastr.com for helping us record
- fireside.fm for hosting us
- thatericalper.com for the answering machine audio clips
- spoileralerts.org for the adding machine audio clip
- Freesound.org for the other audio clips
Two Hundred a Day is a podcast by Nathan D. Paoletta and Epidiah Ravachol. We are exploring the intensely weird and interesting world of the 70s TV detective show The Rockford Files. Half celebration and half analysis, we break down episodes of the show and then analyze how and why they work as great pieces of narrative and character-building. In each episode of Two Hundred a Day, we watch an episode, recap and review it as fans of the show, and then tease out specific elements from that episode that hold lessons for writers, gamers and anyone else interested in making better narratives.
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